Catch the Cornstore Early Bird

Catch the Cornstore Early Bird

Found myself in town about six o’clock one evening last week and started thinking Early Bird. And then started thinking Cornstore - it was just around the corner and they do a great value early bird there, three course for twenty five euro. This menu is available Sunday to Thursday all night and up to 6.30pm Friday and Saturday.

Had sampled it on launch and enjoyed it. It was just as good this time and we had just the meal we wanted. Seems popular too. We were there early but the Cornstore was rapidly filling up by the time we were on dessert.

Dessert, by the way, was the one course that we ordered the same, with some encouragement from the friendly staff! This was the Chocolate and Caramel Eclairs with Vanilla Ice-cream and it lived up to the sweet promise. Other desserts on the night were Rhubarb & LIme Posset, Fruit Salad (with Raspberry Sorbet) and Bakewell Tart with Creme Anglaise.

Clockwise from top left: Calamari, Hake, Flat-iron steak and Quinoa salad.

CL had started with the Quinoa Salad with roast red pepper and cherry tomatoes, baby gem, sugarsnap and tender-stem broccoli, mixed seeds and apple cider dressing. She enjoyed it all: the colours, the flavours, the textures. My Peppered Calamari with tomato and cucumber salsa didn't look quite as dramatic but I certainly enjoyed it, its lively flavours and differing textures.

Others Starters available were Soup of the Day, Toonsbridge Mozzarella, Duck Parfait.

I hit the jackpot with my mains: Braised Flat-iron steak with Mushroom Ravioli, braised carrot and pan jus. This comes from the Chuck section of the animal and is not your usual steak. It is served as a “cube” of tender pieces and easily and pleasurably dispatched. CL too made a great choice, a really tasty dish this Roast Hake on Wild Garlic Risotto with tomato vinaigrette.

Just to give you an idea of choice, the Others mains available were Roast Chicken supreme, Cornstore Aged Beef Burger, Thai Green Vegetable Curry, and Aged Beef Fillet Medallions (€3 extra). I had the medallions on a previous visit and they are well worth the supplement.

Jancis Robinson and New World’s New Wave

Jancis Robinson and New World’s New Wave
Wine on the Move, Fresher and Lighter

The Drinks Theatre at Ballymaloe’s annual LitFest was packed for Saturday’s talk and tasting by Jancis Robinson. The Master of Wine’s talk was entitled Wine’s New Wave - Lighter and Fresher. Jancis, quite deliberately, had chosen mainly New World wines and those from areas that were previously best known for “monster wines”, those big in fruit and alcohol! It was acknowledged that parts of the Old World had been producing this lighter style for quite a while.

Ballymaloe’s Colm McCan welcomed Jancis and she replied saying she was very comfortable, really at home, in the converted tractor shed as she was brought up in a small village herself.

Over recent years, while doing research for her various books, she received reports from all over the world, “from people with their fingers on the pulse”, of a trend towards lighter fresher wines.

The move is to make wines “that express the vineyard”, in a trend towards “single vineyard, even small plot, wines”. The first wine was a Californian Chardonnay 2012, from Sandhi in the new appellation of Santa Rita Hills. This comes from a high-ish site, 200-500 feet. ‘It is almost Chablis like in its acidity,” she said. “But the aim here is for balance.” It was a good start.

Next stop was Stellenbosch, South Africa and a Mourvedre Rosé, Cape Coral 2014. “Not for keeping,” she warned! This lovely pale salmon pink is soft and gentle, bone dry and low in acidity. “Good for food, especially aioli.”

The winemaker here, she told us, has had Southern Rhone experience and uses biodynamic viticulture. "Sounds potty but it seems to produce the goods. The vines look healthier and the soil is also healthy. People all over the world are much more interested in local vines, recuperating older ones”. In response to a question by beer ace Garrett Oliver, Jancis said that all the interesting wine in the world is craft wine.

On then to a couple of Pinot Noirs, the first a Chilean 2012, the Clos Fous by Pucalan, weighing in at 14.5%. Not quite light maybe but beautifully balanced, lovely texture and “satin smoothness, right amount of acidity. A complete steal at ten pounds!”. The vineyard is north of Santiago and “very influenced by the cool ocean”.

The Sonoma County Littorai 2012 will cost you about seven times as much. “This is biodynamic and has the hallmarks of freshness and acidity and this was a very good vintage after the disaster of 2011. More complex, more Burgundian and its lovely texture caresses the palate - think I'll swallow that!” I think we all followed suit.

Now let us hop over to Australia and the BK Wines Syrah 2014 from the Adelaide Hills, “a wine of recreation, rather than contemplation” and chosen more “as an interesting example rather than a fine wine. This is the type served up by the bucket in wine bars.”

Okay then. There would be a good Australian to finish on but first the one nod to the old world: a 2013 Garnacha from a high altitude (550-650 metres)  in Mentrida. “This is a new style in Spain, made from up to fifty year old vines. You can smell the sweetness of the Garnacha plus you have masses of natural acidity and a fresh stoniness”.

Many of us here in Ireland appreciate the excellent wines made by Cullen in Margaret River in Western Australia and Jancis produced a winner to finish on: the Diana Madeline 2009, a Bordeaux blend (including 88% Cabernet Sauvignon). “The Cullens were early adopters of bio-dynamic in Australia and this is an Australian classic, the best balanced Bordeaux out of Australia. It is very fragrant, you have that savoury note at the end, a wine of real quality.”

So now you know. If that new wave washes you up on the beautiful beaches of the Margaret River, just head to over to the Cullens. Then again, it might be easier just to check where Liberty Wines distribute them here.

See also: Garrett Oliver Talks Beer

World Rediscovers Irish Whiskey (with Dave Broom)

Gin. The Garden Spirit (with Desmond Payne)

World Rediscovers Irish Whiskey. Dave Broom’s Breakfast-style Whiskey.

World Rediscovers Irish Whiskey

Dave Broom’s Breakfast-style Whiskey.

Whiskey ageing silently in Midleton.

It was a tax dodge that led to one of the great whiskeys!

Leading whiskey (sometimes whisky) authority Dave Broom was talking about Green Spot, the first drop up for tasting during the Roaring Silence - Silent Stills Awaken, the title of a session on the irish whiskey renaissance at Ballymaloe’s LitFest at the weekend.

Because of  a punitive tax on malted barley, the Irish distillers decided to use a portion of unmalted barley in their mix and that style became known as Single Pot Still and is now part of the astonishing revival of the Irish spirit. Dave did take the opportunity to point out that John Jameson was a Scot.

Tomas Clancy (left), Dave Broom and Brian Nation (right)

Quite a bit to go yet though according to Tomas Clancy, another of the speakers on the panel. he would like to see the industry here mirror that of Scotland with a mix of both small and large operators. He pointed out that the Scottish industry is worth three billion while, at present, the Irish weighs in at three hundred million. “Investment here, he said, “is heavy.”

Dave may not always be sure of which time zone he is in but he knows his whiskey and obviously likes the Green Spot: “..stimulating nose (a signature of Irish whiskey and it dangerous drinkability!)...oily, coating the tongue..sweet...fresh acidity….

Brian Nation the enthusiastic Master Distiller at Jameson Ireland explained how the malted/unmalted mix and the triple distilling “imparts a creamy mouthfeel. The style has orchard fruits and sweet spices (from the distillate) and is toasty from the wood.”

He pointed out that maturing in wood casks had been started a long time ago by Mitchell & Sons Wine Merchants in Dublin, still associated with Green Spot. And he also paid tribute to his predecessor in Midleton, Barry Crockett, whose foresight “in laying down stocks” was crucial to the current revival.

Late in the 19th century and in the early part of the 20th, Irish whiskey was the world leader but over the decades lost out in the UK and US markets because of various factors, including prohibition, World War 1, War of Independence, and the Irish Civil War. And the decline continued right through the Second World War with all the American soldiers in Britain being wowed by Scotch.

Boosted by a Royal Commission 1909 finding in its favour, the Scots were benefitting hugely from improved versions of Aeneas Coffey’s 1830 Column Still invention. French born Coffey was an Irish tax inspector but the industry here dismissed his breakthrough invention, to their cost. “We were the masters of the Pot Still,” said Tomas Clancy. “But Irish Whiskey was too good, too early.”

Feeling's Single Malt

Broome, who described Coffey’s invention as “a good piece of kit”, now introduced Teeling Whiskey Single Grain, made from maize. It is matured initially in American oak and is “a great whiskey, creamier and sweet, with banana notes, and a short finish. It is gentle and light, a breakfast style whiskey. Good for cocktails too, very versatile.” 

This weighs in at 46% abv and Dave suggested adding some water. I did and got a good result!

Brian told us that this Single Grain, made with maize and malt, is produced in the column still. “It is a fruity, floral style. Jameson, by the way, is a blend of single grain and Single Pot Still.”

In the 1940’s, people, especially Americans, began to look for lighter whiskeys and Tullamore Distillery deliberately blended for the palate. Now there is, since 2013, a brand new distillery there. It has impressed Dave Broome. “It is an astonishing piece of work - go see it.”

The piece of work we had in front of us at that point was the Tullamore Dew Phoenix. Brian Nation said you have to be innovative to meet demand for styles and brands. “Don't sit on your laurels. Look to innovate and stay ahead of the game.”

On the whiskey itself, Dave remarked that the Single Pot Still comes through. “It has a rich dark character and you also note the effects of the sherry barrels. At 55%, it need water. It is lovely, well balanced, with good characters.”

Tomas Clancy said our ancestors didn't want to waste anything. So the empty barrells from Jerez and Porto and other places were put to use to mature whisky. “Colour was one of the main impacts as the barrels changed a dirty looking spirit into an inviting looking liquid.”

Lots of praise for the “innovative, cheeky Teelings” from Broom as we sampled  their Single Malt. “Keep an eye on them,” he continued. “They are raising the bar”. Clancy agreed:”They are fantaiusci, will get even more so. They are not in it by accident, they have seen where the opportunities are and should have a fascinating future.”

The introduction of our Glendalough 7 year old Single Malt provoked a discussion about the future. The past first though as Tomas said the current 9 to 10 per cent annual growth is down to Midleton. The stills at  Midleton are artisan, don't lose sight of it. Micros are okay but won't be the industry in 20 years time. He remarked too that distilleries need to be encouraged and instanced the fact that one of the bigger new ones had received a half million euro water bill even before they had started operating!

Whiskey making, old and new

Dave encouraged us consumers to celebrate the diversity and encouraged producers to differentiate.. “can't all be Jameson copies.There is craftsmanship at every step, at every level.” Big is not necessarily bad.

Brian Nation said at present Ireland has four per cent of the world market and the plan is to grow that to 12 per cent by 2030. “There is plenty of room for other distillers but we need to see the quality kept up. One bad apple….”

We had earlier met Dave Broom’s breakfast whiskey. Now he introduced us to his desert island tipple, the one he'd grab if the ship was going down, none other than the local Redbreast 12, “a style of whiskey the world has fallen in love with, really well priced.”

Brian explained that the key difference here is the cuts during the distillation. “It is full bodied, robust, lots of flavours. On the nose you have the fruitcake aromas, a contribution from the Oloroso casks. The feel is creamy and there are spices there too and also that dried fruit. For me, this is an exquisite whiskey.”

Dave, who had been totally encouraging all along about Irish Whiskey, rounded it all off by saying the category was “on fire”. “Everyone wants Irish Whiskey!” Sláinte to the panel and to Colm McCan and his volunteers at LifeFest who, year after year, come up with the goods.

See also: Garrett Oliver Talks Beer
Jancis Robinson on Wine's New Wave
Gin. The Garden Spirit

Garrett Oliver Talks Beer. Also Tomatoes, Bread and Pre-Sadness.

Garrett Oliver Talks Beer.

Also Tomatoes, Bread and Pre-Sadness

Garrett Oliver

You need real tomatoes to make tomato sauce.

Garrett Oliver, dapper brewmaster at the Brooklyn Brewery, started his Ballymaloe talk and tasting, with this line on tomatoes. Soon, he would delve into bread and cheese, fake bread and fake cheese, and later he would go all philosophical or maybe philological as he explained his theory of pre-sadness!

But there was no sadness in the Drinks Theatre during Garrett’s hour on Sunday afternoon. Just lots of laughs and no shortage of good beer either, beer that tastes like beer!  You hear people say, when they taste a craft beer: This is nice, doesn't taste like beer. He had an explanation: “The beer they grew up with didn't taste like real beer!”

Garrett, no mean chef himself, says that “brewing is more like cooking than wine-making”. He went on to give us a bit of background on New York’s diverse food and drink scene; in the late 1800s, you could eat your way around the world in one day there. He revealed that Guinness had a brewery on Long Island in the 1940s that lasted for ten years or so but closed because people preferred Guinness from Ireland.

Back then to the theme of real food and real beer. “It was a different world after prohibition. Better transport, the mass market and advertising led to less choice. The number of breweries in the US went from 4000 to 40, all making much the same beer.”

He highlighted bread as another example. You had fake bread, cheese with yellow colouring. A cheese sandwich consisted of two wraps of “plastic” and a filling of yellow plastic. “Same thing happened with beer.”

Brooklyn Beers

As he introduced the first beer, Brooklyn’s Sorachi Ace, he revealed that his first pint of real British Ale “changed my life”. The Sorachi comes in what looks like a champagne bottle but Garrett wasn't having any of it saying Champagne comes in a beer bottle. No arguing with that, dude!

The Sorachi is based upon a Belgian Saison and that “dill like aroma is unusual”. “It is a super dry beer, slightly hazy and you may find yeast at the bottom. It is very nice with oysters, crabs and other shellfish.”

And then he brought up the pre-sadness. You might, for instance have pre-sadness as your enter the last few days of your holidays in an exotic place, still enjoying yourself but knowing the end is nigh. 

The Sorachi was one of their 2009 specials and, like holidays, specials are not meant to last beyond their designated span. So as the Sorachi’s allotted time came to end, the pre-sadness entered their minds even though they were happy drinking it at the same time. So they didn't allow it to end, found excuse after excuse to keep it going and now make it all the time.

Sorachi

Next up was the Hammarby Syndrome, introduced to celebrate their opening of a brewery in Stockholm. It’s brewed from 35% of spelt, an ancient wheat-like grain that was once a mainstay of Scandinavian beers and this gives it a nutty flavour. He recommended it as a food beer, especially with roasts and steaks.

Time for the third beer, the Ghost Bottle Galahad based on their Brooklyn Local No. 1 and made “within the Belgian tradition”. This has been enhanced via the lees from a natural cider fermentation.”It is aged for one year on the lees and has lots of flavour that were not in the original, is cloudy and very dry though it seems sweet.”

Brooklyn is well known for its collaborations. “We were the first brewery to do collaborations but now we were doing it only with friends. Great to bounce around ideas.” We were now sipping his Wild Horse, a stout with quite a kick at 9.4%. He then told us the yeast was the famous, infamous if you’re a winemaker, Brettanomyces, Brett for short.

“Brett was the flavour of stout, back in the day.” You might spot the hay, the farmyard, the horse-sweat. Can't say I did even though the dogs were barking outside in the Ballymaloe farmyard and there were hungry sounds from a bird-nest or two high in the rafters. After all, this Drinks Theatre is in a tractor shed! More on the Wild Horse here.

The journey continued with K Is For Kriek. “This is the least beer-like beer. Kriek is the Belgian tradition of adding fruit. This was food back in the day. This though is a weirdo variation, no Belgian would recognise it as Kriek. We put ten kilos of cherries into each barrel.”

“This was brewed in 2013, spent five months in barrel and overall took one and a half years to make. It is 10.3%. Pair it with duck, goose, foie gras. This is an American interpretation of wheat, illustrates that what we do is something like a chef does when he imports an idea from another country.”

And speaking of ideas, he said nobody ever came up with a great idea over a Diet Coke. “The best ideas need a real drink. They say you live longer if you don't drink. Not really. It just seems longer!” Check the brewery’s notes on the big K here.

ABV has been rising all the time and the final beer packs 13.5%. Hand and Seal is a Barley-wine style, “..nice with Stilton, very strong and sweet, well balanced and will age - for up to forty years!” Once the preserve of nobles, the Brooklyn brewmaster decided it should be for the masses. Read the full story here.

If that was the last of the beers, it was not the last of the session, not with Garrett on the mike. “What we do is creative. This is a renaissance, a recovery from a harmful food system that wiped everything out. Go out and try things. Some of these beers cost less than a coffee.” He must have stayed in the Westbury recently; an Americano cost me €5.40 there last week.

“It is great that you in Ireland now have a burgeoning craft beer movement and your first pint should be from a local brewer. But I would like to be second on the list! As far as I know, you go around once - I’m going to have a good time!”

Dowcha Garrett!

See also:
Jancis Robinson on Wine's New Wave
Gin. The Garden Spirit (with Desmond Payne)
World Rediscovers Irish Whiskey (with Dave Broom)

Miguel Torres: Message in a Bottle

Miguel Torres: Message in a Bottle

The more we care about the earth, the better our wine.

Climate change pops up in conversation and some people switch off - nothing to do with me. That’s not the way the Torres wine family see it. With the opening sentence above as motto, they are doing something about it with a programme called Torres and Earth.

Miguel Torres, one of the family’s fifth generation, was in Dublin's Westbury Hotel last week for a tasting but first he spoke of the family and the threats from climate change that it is seeing “more and more”. “Vineyards are very much at risk. Hailstorms are an example.”

Torres are well known for their concern for “the earth and its resources, not only for this generation, but also for future generations”. Climate change has heightened their concern and led to a continuing drive for improved sustainability. For instance they have devised a method of turning vine cuttings into a source of energy, are using solar panels for much the same purpose and have a 2020 target of reducing CO2 emission per bottle by 30% by comparison with 2008.

The Torres family

Fair Trade has long been a Torres concern, beginning soon after their 1979 start in Chile. Miguel explained that Fair Trade was good for their growers there and also for the company itself. If they hadn’t paid a fair price for the grapes, the children of their growers would have left for the cities as has happened elsewhere. Now, seeing their parents fairly paid for their work, enough children stay behind to ensure the future. Torres was the first private company in Chile to be designated Fair Trade.

Back to their base in Catalonia and here they have “recuperated ancient Catalan varieties, 38 in all. Not all are good but six are top quality, very well adapted to a hot and dry climate”. Torres are also experimenting with growing vines at higher levels.

And then there is the never ending problem of disease. Indeed some diseases, particularly fungal, may be due to modern machinery which are rough on the vines. I think we in Ireland have seen that in the way modern machines “batter” the roadside hedges in the process of trimming them. Miguel detailed some trunk diseases, possibly facilitated by the rough "handling" by machines, and said they were working towards a cure. Obviously others are too and he said “one treatment to cure all would be in great demand!”.

Miguel said that while Torres “have lots of vineyards, it is the people that are important. We have 1300 people, a team". The family are of course part of that team. He also said that people buying wine should rely more than the winemaker rather than the appellation. “An appellation can produce some great wines but also some terrible ones’.

Torres in Chile

 “We are very much into organic viticulture, being so aware of global warming. Today's decisions will have to be dealt with down the line.”

Torres are not interested in expanding beyond what the family can handle. “We want to continue as a family, pass it on to the next generation”. One of the benefits of this, at least in the Torres case, is that no less than 95% of profit is re-invested, much of it in research.

They are of course a Spanish family. “Penedes is our hometown and by the way, watch out for a new wine from here next year. It will be called Purgatory, not because we are sinners!”

Torres in California

He called his aunt Marimar an inspiration. She helped boost sales in the US from 1975 and now runs the 57 hectare Marimar Estate in California's Russian River valley, producing mainly Pinot Noir and Chardonnay wines, all organic with a focus now on biodynamic.

“Chile is an ideal country for wine,” said Miguel. “All our vineyards, total 400 hectares, are organic.” They began here in 1979. His father and grandfather brought in the first stainless steel tanks, along with the first new oak casks in over forty years, to revolutionise the industry there. In recognition of that and their long-term commitment, the Chilean government presented Miguel A Torres with the Order of Bernardo O’Higgins in 1996.

There have also been major honours for the family in Catalonia. It seems they contribute wherever they are. The earth could do with more companies like this.

The Bottles

Frustration ran high in the Torres stronghold of Penedes in the late 70s. They were producing what they thought were great wines but where was the recognition?

Then  came the breakthrough, in Paris of all places. Torres entered their Gran Coronas Mas la Plana into the 1979 Gault-Millau blind tasting Wine Olympiad and it won, leaving wines like Chateau Latour and Chateau Haut-Brion behind. The win gave Torres the recognition it craved and the confidence to take on the world.

And from that same 29 hectares vineyard, we had the Mas la Plana 2010, a 100 per cent Cabernet Sauvignon, full of freshness, fruit and spice. Miguel said this was a great wine to celebrate its 40th anniversary - the wine that won in Paris was from 1970.

You could taste why Miguel would be proud of this one but perhaps he was just that little bit prouder of the next, the final red of the tasting. This was the Grans Muralles 2004 and the extra pride was because this was composed of Spanish varieties, including two of those “recuperated”. The two are Garró and Samsó and the other varieties are Monastrell, Garnacha Tinta and Carińena, all of them planted within the walls of this single vineyard, dating from the Middle Ages. The wine is full of character and complex. “Still young with a long life ahead”.

Before these two, I had more or less settled on the Salmos 2012, from their Priorat vineyards, as my favorite. Priorat is one of the smallest appellations and the wine is named after the psalms the original monks sang (they weren’t allowed to talk).

It is a blend from two vineyards, one at 200 metres, the other at 500 (for the Carińena). The other varieties are Garnacha Tinta and Syrah.

Carińena is becoming increasingly important and, for its contribution to colour and acidity, is being used in this particular wine in “increasing proportion and could be a key variety in the future of Priorat.” Just loved its fruit, spice and acidity, suited me very well indeed.

We had started the reds with quite a lovely Tempranillo, the Celeste 2012 from Ribera del Duero. It is made in a Rioja style but is less acidic. It is a light red yet quite complex and “delivers the fruit very well, tannins yes, but quite elegant”.

Miquel in the cellar

Then we went down to Chile for the next red, the Cordillera Carignan 2009 from the Maule Valley. By the way, Miguel advised going to the south of Chile if you do get a chance to visit. The original Carignan vineyards had been abandoned but Torres pruned them and started producing again. This is a very good example, fresh fruit and acidity, tannins, a little spice with a good finish. “Not heavy, but fresh!”

While we sampled the final white, the Jean Leon Vinya Gigi Chardonnay 2013 (Penedes), Miguel revealed that the first Chardonnay vines were “smuggled” into Penedes and, after a struggle, were eventually recognized for appellation purposes. Aromas of tropical fruit with an unctuous creamy palate and a long finish makes this a little bit special.

Another Chardonnay, from the Limari Valley in Chile, had preceded this one. It has been aged for 7 months in French oak (30% new, 70% second year). They are decreasing the oak though. “In Chile, the nicest thing you have is the fruit - no need for make-up!”, said Miguel. “We are trying to keep the acidity and freshness”. And it is fresh with good acidity, great flavor and a little spice. I think I may have a slight preference for this over the Jean Leon.

Priorat

We had started with two grapes that I enjoy: Verdejo and Albarino. First up was the Verdeo 2014 from Rueda. No wood used here at all. The vintage had been “cool”. This was very aromatic and beautifully fresh.

The 2013 Albarino came from Pazo das Bruxas (bruxas means witches!) in Rias Baixas where the grape “is a key variety”. Some grapes for this come from close to the coast (for better acidity), some from a little bit inland (for the body). “You can get red apple here; it has good density and finish”. He told us that Albarino can age well, 7 or 8 years, and can get more complex. This is excellent as it is, with great freshness and flavour.

I know I've picked Salmos as a favourite but to be honest I wouldn't like to leave any of these behind me. It was a great set from Torres. So muchas gracias to Miguel for the talk and the wines and to Findlaters for bringing it all together.

Whites:

Verdeo 2014 (Rueda)

Pazo das Bruxas 2013 (Rias Baixas)

Cordillera Chardonnay 2012 (Limari Valley)

Jean Leon Vinya Gigi Chardonnay 2013 (Penedes)

Reds:

Celeste 2012 (Ribera del Duero)

Cordillera Carignan 2009 (Maule Valley)

Salmos 2012 (Priorat)

Mas la Plana 2010 (Penedes)

Grans Muralles 2004 (Conca de Barbera)

Amuse Bouche

Alice and Maggie sat at a window table in Beppe’s Bistro. ….

Maggie drained the glass of Australian Shiraz that she had ordered for her stomach’s sake, and promptly ordered another from Beppe himself, who kept saying how great it was that the nuns from Doon Abbey had finally crossed his threshold. Alice, on a San Pellegrino, had ordered two beer-battered cods and chips. She badly wanted a smoke, but knew that to be seen smoking on the pavement outside Beppe’s might be a step too far.

from Sister Caravaggio by Maeve Binchy, Peter Cunningham, Neil Donnelly, Cormac Millar, Éilis Ní Duibhne, Mary O’Donnell and Peter Sheridan.